Monday, January 04, 2016

Shia v. Sunni or Money v. People


THE ABSURD TIMES
  



Illustration: Latuff sees the Wahabbi in action

Shia v. Sunni or Money v. People
 

Nimr al- Nimr, Tiger of Tigers, was beheaded along with 46 other over the first weekend of 2016 in celebration of what we have to look forward to in this New Year. 



One of the main reasons, of course, is that oil prices have dropped, meaning that while the Royal family will retain their "share" of the loot, the remainder will be so miniscule that the people of the country, non-royal people, will have less.  In the grand tradition of Royalty, so well-portrayed by Henry IV to his son, if things are bad at home, get the people worried about things abroad.



This strategy is not limited to Royalty, of course.  Why do you think we have ISIS?  We certainly don't like this idea of people wanting a higher salary.  Why that would just complicate things a bit for the handful of people who own just about half of this country's wealth.  It is rough being in the upper .01% as the rest of the "folk" (as Obama like to put it) seem to want more.  Still, they will carry on.  And those of you who object, well, you are lucky you don't get beheaded, so shut up.



It is too boring and long-winded to go into the whole Sunni v. Shia thing other than it started with a dispute as to who would be the successor to Mohammed.  Still, the festering battle over succession was nothing compared with what you can find in Shakespeare's Richard III.  It was only until our fear of Communism, actually Stalinism, that started the whole recent series with our installation of the Shah to replace a democratically elected leader in Iran why just might have co-operated with the Soviet Union.  Allen Dulles saved us from the onerous possibility, eventually leading to the Ayatollah, but that is another story.



Here are a couple interviews on the current beheadings and the story behind the beheadings:



AMY GOODMAN: Protests have erupted across the Middle East after Saudi Arabia executed prominent Shia religious leader Sheikh Nimr al-Nimr—along with 46 others—Saturday in the country's largest mass execution in decades. The Saudi government accused Nimr of calling for the overthrow of the Saudi royal family. He had been arrested multiple times, including in 2012 after he was involved in protests after the Arab Spring uprising. Sheikh Nimr had also called for the secession of Saudi Arabia's oil-rich Eastern Province, where the majority of the Sunni kingdom's Shia population live. After his execution Saturday, protesters in the Iranian capital Tehran responded by torching part of the Saudi Embassy. On Sunday, Saudi Arabia responded by severing ties with Iran. This is Saudi Foreign Minister Adel al-Jubeir.

ADEL AL-JUBEIR: [translated] The kingdom, in light of these realities, announces the cutting of diplomatic relations with Iran and requests the departure of delegates of diplomatic missions of the embassy and consulate and offices related to it within 48 hours. The ambassador has been summoned to notify them. [in English] We are determined not to allow Iran to undermine our security. We are determined not to let Iran mobilize or create or establish terrorist cells in our country or in the countries of our allies.

AMY GOODMAN: Saudi Arabia has recalled its diplomats from Tehran and given Iranian diplomats 48 hours to leave Saudi Arabia. This is Iranian Supreme Leader Ayatollah Ali Khamenei.

AYATOLLAH ALI KHAMENEI: [translated] Killing a knowledgeable man, who promoted virtue and prevented vice and had religious zeal, is certainly a crime, a great crime. It is also a mistake, because the spilled blood will undoubtedly bring divine retribution. Saudi politicians, rulers and policymakers should have no doubt that there will be divine vengeance for this blood. God almighty will not pardon those who spill the blood of the innocent.

AMY GOODMAN: Saudi Arabia's execution of Sheikh Nimr al-Nimr also led to protests in Iraq, Bahrain and several other countries. Bahrain says it, too, is severing diplomatic ties with Iran. Earlier today, two Sunni mosques about 50 miles south of the Iraqi capital, Baghdad, were rocked by bomb blasts thought to be retaliation against al-Nimr's execution.

Meanwhile, the U.S. has called for dialogue. Analysts are watching closely to see how this will impact regional tensions. Saudi Arabia and Iran back opposing groups in Syria and Iraq, and are on opposite sides of the conflict in Yemen.

For more, we turn now to Ali al-Ahmed, the founder and director of the Institute for Gulf Affairs, one of Saudi Arabia's youngest political prisoners when he was detained at the age of 14.

Welcome to Democracy Now!, Ali al-Ahmed. Can you talk about the significance of first what took place on Saturday, one of the largest mass executions in Saudi history, and the significance of Nimr al-Nimr, the sheikh?

ALI AL-AHMED: Yes. Good morning, Amy. It's a pleasure.

The execution of Sheikh Nimr al-Nimr is really an important development, given the fact this is the first time in Saudi history where a Shia religious leader has been executed. Fifty years ago or so, another leader was sentenced to death, but he was not executed because he was abroad. This really creates a division within the country. In the Shia communities around the world, religious leaders are most revered, because they are the leaders of the community. And they are usually chosen by—people choose them as their leaders. It's almost a democratic process.

So, for the Saudi government to recklessly execute him and others, including protesters, really is a reckless act that will have repercussions for a long time. I think this will start another chapter in the Saudi history, a chapter that I think we will see come to reality in 2016. And it will not end well for the Saudi monarchy. I think we've seen that in different areas where governments who targeted Shia religious leaders end up really with a mess on their hand, from Saddam Hussein to Gaddafi to others, who probably underestimated the will and the determination of the Shia communities to bring repercussions to them. And I believe the Saudi monarchy committed a huge mistake that is not going to work for them in the short and the long term.

AMY GOODMAN: You went to a memorial service for the victims of the mass execution. Can you tell us who Nimr al-Nimr, though, is, exactly what he represents, how he expressed his opposition to the Saudi regime?

ALI AL-AHMED: You're absolutely right. Sheikh Nimr al-Nimr's name—you know, a month or two months ago, nobody knew who Sheikh Nimr al-Nimr was. He was a religious leader from a small town in the eastern shore of Arabia. But since his execution, memorial services have been held for him across the United States, across Europe and different parts of the world. Sheikh Nimr is a friend of mine—was a friend of mine. I knew him probably 30 years ago. I met him. I met his family, his father. I visited their home. His brothers, younger brothers, are friends. So, I knew him.

Sheikh Nimr's experience with the Saudi government dates back to his grandfather. His grandfather was also a fiery cleric who stood in the face of the Saudi oppression of the Shia minority 50, 60 years ago. So he inherited this zeal and the resolve to object to this oppression. If you look at his speeches, he expresses this strong determination and will. His words really are amazing words. And we will be translating a selection of his words to show you that when he speaks, really, as a free man, he said, "We either live free on this land, or we die inside of the Earth." So—or he says that "We choose not to be ruled by the al-Saud. We choose to be free"—these words of freedom and dignity. And you mentioned the secession. He didn't call for secession. He said that "Our dignity is more important than the geographical borders of Saudi Arabia. Our dignity comes supreme." And I think that's correct. The dignity of man, the dignity of a human being, is much more important than political unions. And his words really shows you he's a rare individual.

And when Mr. Obama spoke about the need for Muslims to combat violence and extremism, Sheikh Nimr is a rare example of a person who calls for the people's rule in a monarchy that does not allow the individual, Shia or Sunni, to have a say. He called for people's power. And that really shows you an example, a shining example, of a religious—Muslim religious leader who is empowering people and their choices, who defended everyone, not only his community, but also he spoke of the Sunni oppressed. And he really created a new model. He said that we should not support Sunnis versus Shia or Shia versus Sunni; we should support the oppressed against the oppressor, no matter their religion, their sect and their ethnicity.

So I really think his words is going to live, and it will create this new wave. He was in the country of Saudi Arabia, which is divided around sectarian lines. He was admired by many Sunni young men for his words, for his courage. Inside a country, a kingdom of silence, his words really rang strong. And I think if you compare him to many people that we admire around the world, including the United States, you will see him really standing in the middle, in the lion's den, and speaking without fear. He was courageous and will be remembered for a long time.

AMY GOODMAN: Ali al-Ahmed, his nephew remains on death row, or threatened with execution, who was, what, 17 when he went out to a protest, Ali Mohammed al-Nimr, and also the Palestinian poet Ashraf Fayadh. What will happen with them? They were not part of the 47, is that right, who were executed?

ALI AL-AHMED: Yes, yes. The Saudi government now is trying to make these executions—although the majority of the executed people are Sunnis, they are trying to make this, frame this into a Sunni-Shia tension. It's not. It is really an attempt by the Saudi monarchy to silence their opposition and to label anybody who spoke against them as terrorists. And there is a plan to execute more people. The Saudis spread their executions across the country to—really, to spread terror in the heart of the population. The Saudi monarchy fear is that the population will rise against them. And the best way they think that they can silence this opposition and the aspiration of the young people in that country for people's power is to execute people and to—publicly, by the way—and behead them, so the people will not rise.

AMY GOODMAN: Ali al-Ahmed, we're going to break and then come back, and we'll also be joined by professor Toby Jones and arms expert Bill Hartung to talk about the U.S. relationship with their very close ally, Saudi Arabia. Stay with us.


LINKS


·                                 "Merchants of Menace: How US Arms Sales are Fueling Middle East Wars," by William Hartung


·                                 "Desert Kingdom: How Oil and Water Forged Modern Saudi Arabia," by Toby Jones

This is viewer supported news


After Saudi Arabia executed Shiite cleric Sheikh Nimr al-Nimr on Saturday along with 46 others, protesters in the Iranian capital of Tehran responded by torching part of the Saudi Embassy. On Sunday, Saudi Arabia responded by severing ties with Iran. With Saudi Arabia and Iran backing opposing groups in Syria and Iraq, and on opposite sides of the conflict in Yemen, we examine how this will impact both regional tensions and the U.S. relationship with Saudi Arabia. Under the Obama administration, the United States has entered a record $50 billion in new arms sales agreements with the Saudis. "If the Obama administration wants to show its displeasure with this execution and try to bring an end to the war in Yemen, there's got to be a distancing from Saudi Arabia, beginning with cutting off some of these arms supplies," says William Hartung, senior adviser to the Security Assistance Monitor and director of the Arms and Security Project at the Center for International Policy. We also speak with Toby Jones, an associate professor of history and director of the Center for Middle Eastern Studies at Rutgers University and author of "Desert Kingdom: How Oil and Water Forged Modern Saudi Arabia," and with Ali al-Ahmed, the founder and director of the Institute for Gulf Affairs.




TRANSCRIPT


This is a rush transcript. Copy may not be in its final form.

AMY GOODMAN: This is Democracy Now!, democracynow.org, The War and Peace Report. I'm Amy Goodman, as we continue to look at Saudi Arabia's execution of Sheikh Nimr al-Nimr, along with 46 others, which could have major repercussions in the region. We're joined in Washington, D.C., by Ali al-Ahmed, the founder and director of the Institute for Gulf Affairs, one of Saudi Arabia's youngest political prisoners, detained when he was 14. Also joining us from Rutgers College—Rutgers University in New Jersey, Toby Jones, an associate professor of history and director of Middle East studies there. He's author of Desert Kingdom: How Oil and Water Forged Modern Saudi Arabia. And here in New York, Bill Hartung is with us, senior adviser to the Security Assistance Monitor, also director of the Arms and Security Project at the Center for International Policy; his latest book, Prophets of War: Lockheed Martin and the Making of the Military-Industrial Complex.

I want to bring Toby Jones into this discussion. Talk about the significance of this mass execution, this leading opposition figure in Iran, as well as 46 others, and what it means for the United States, a close ally of the Saudi regime.

TOBY JONES: Good morning, Amy. Thanks.

I'm going to say two things about this, very broadly. One is that reading this through the lens of geopolitics and the regional sort of relationship, Saudi Arabia and Iran, is, of course, critical, and it's important, especially as relations sour and things tend to fall out. But this was also about domestic politics in Saudi Arabia. Last week, Saudi Arabia announced a new budget, in which it forecast a significant budget shortfall as a result of declining oil revenues. When revenues start to fall like that in Saudi Arabia, there's pressure on the social welfare state, and Saudi Arabia anticipates that there might be pushback and opposition from within society, as Ali al-Ahmed's suggested earlier. Killing a Shiite cleric goes a long way in deflecting attention away from political, economic pressures. Sectarianism is at an all-time high, and has been over the last decade or so. And so the Saudis are seeking to capitalize, I believe, symbolically, on the killing of al-Nimr as a way to buy a little bit of time to figure out how to negotiate its way through an economic crisis. And, of course, there's also the war in Yemen and justifying a continued failing project there. Using sectarianism as a way to achieve goals there is important, too.

With respect to the U.S. relationship and how all of this figures in—and I think the U.S. is probably caught a little bit off guard here. Al-Nimr has been on death row for quite a long time. I don't think any of us really expected that the Saudis would carry through with this. It raises all kinds of questions about timing: Why now? Why kill al-Nimr alongside a bunch of al-Qaeda terrorists, as well as some of those other young Shiite men who were executed on Saturday, as well? So the U.S. is caught off guard. It's called for calm. It's called for dialogue. These are odd expressions and demands from the United States. I mean, the U.S. knows that the Saudis are not interested in dialogue with Iran. Saudi Arabia sees itself as in a tense and fraught relationship with its neighbors across the Gulf. And the U.S. also understands very well that it's precisely crisis and it's escalation of tension between Tehran and Riyadh that plays into Saudi Arabia's ways that they talk about insecurity, their regional phobias and fears. They frame everything around escalating series of crises. The U.S. understands this very well. I mean, the Saudis are masters at manipulating that kind of language in order to keep the Americans in a certain geostrategic position. But, to be clear, it's also a position that I think the United States is happy to play.

AMY GOODMAN: Bill Hartung, if you can talk about the U.S.-Saudi arms relationship? I mean, hasn't, in the last year, the U.S. been involved with the largest arms sales in their history, this to the Saudi regime?

WILLIAM HARTUNG: Yes, throughout the Obama administration, we've seen $50 billion in new arms sales agreements with the Saudis, which is a record for any kind of period like that. And so, they're all in behind the Saudi military. They're providing logistical support, bombs, refueling for the war in Yemen, U.S. companies training the Saudi National Guard, which is their internal security force. We've trained 10,000 Saudi military personnel in the last 10 years—five years, rather. So, you know, my belief is if the Obama administration wants to show displeasure with this execution, try to bring an end to the war in Yemen and so forth, there's got to be a distancing from Saudi Arabia, beginning with cutting off some of these arms supplies.

AMY GOODMAN: Aren't U.S. weapons manufacturers in their heyday right now, making record profits?

WILLIAM HARTUNG: Yes, and this is a huge boon to them, the Saudi market. They just announced a major combat ship sale, which will benefit Lockheed Martin. Boeing fighter planes are in the mix, Boeing helicopters. General Dynamics is keeping a whole tank line open through sales to Saudi Arabia. So there's both a dependency on the U.S. arms industry on Saudi sales and also huge financial benefits keeping this—you know, this gravy train running for them.

AMY GOODMAN: And how Saudi Arabia is using these weapons in Yemen?

WILLIAM HARTUNG: Well, there's been a humanitarian catastrophe of the highest order there. They've been bombing markets, hospitals, refugee camps—more than 2,000 civilian casualties, most of them from the Saudi bombing. Basically, the Saudis, many believe, are engaging in war crimes in Yemen. And the U.S. logistical and arms support is facilitating that.

AMY GOODMAN: Ali al-Ahmed, what could the U.S. do? And what—how do you assess the U.S. relationship with Saudi Arabia?

ALI AL-AHMED: This is a complex relationship that really is led and dominated by the Saudi ability to buy silence and support. If you look at the reaction of presidential candidates, for example, you don't see any of them speaking out against these executions. It's odd that, for example, Mr. Ben Carson would say that the Saudi government is an ally of us and we should support it, at the same time that the Saudi monarchy prevents black people from becoming diplomats or judges because they view blacks as slaves. So, really, here you see a contradiction of the—what we know as American values, is that the Saudis have been able to buy their way by giving money to a lot of politicians, to their foundations, like the Clinton Foundation, the Carter foundation, and shaping their opinion. And, unfortunately, because in America politics works on money, the Saudi monarchy has really broken that code and understood how to use it.

The United States can do a few things, really, right now. They can first, for example, stop the U.S. taxpayers spending money on protecting the Saudi monarchy and Gulf monarchies. Professor Roger Stern of Princeton has a study that says that the United States has been spending over $200 billion a year in military expenditure in the Gulf. That is the largest military expenditure abroad. It is to—the effect is—the default effect is, it's protecting these monarchies. The U.S. should not be spending that money. The monarchies can spend their own money defending themselves.

Secondly is, for example, I would urge the U.S. government to intervene to ensure that the Saudi monarchy will return the body of Sheikh Nimr al-Nimr to his family, because they refused to do so after the execution. I think that would be a great example of how the U.S. can use its power to bring some healing to this process, because the Middle East might implode, Saudi Arabia itself might implode, because of this. So, I think they should take some, you know, serious steps.

And I really met with the State Department over the past few weeks, and I told them—and I wrote an article about it—says, "You must take steps now. Don't wait until the executions take place," because we knew that these executions were happening. It's important to prevent any ignition in the region before it happened. But unfortunately—

AMY GOODMAN: And do you feel that the State Department took your advice?

ALI AL-AHMED: No, they didn't. They didn't. I mean, this—

AMY GOODMAN: So, Toby Jones, we have 30 seconds. Why is the U.S. not being more vocal in its criticism of Saudi Arabia?

TOBY JONES: Well, the U.S. is stuck. I mean, aside from questions of profit, the U.S. is also beholden—you know, and it's partly the product of its own making. I mean, this is a generational commitment to Saudi Arabia, in which for over three decades we've committed ourselves. Now, whether this is true or not, we've committed ourselves to protecting the flow of energy out of the Persian Gulf. It's the largest producer of oil on the planet in this one area. And the United States has tied its military fortunes, in many ways the pocketbooks of its gunmakers, as well as the Pentagon, to what comes in and goes out of the Persian Gulf. If you think about it critically, that's what needs to change, but it's also the hardest thing to re-engineer, this breaking away not only from oil dependency, but also from the massive financial and military investment that the U.S. has made in the region.

AMY GOODMAN: We're going to have—

TOBY JONES: But the bottom line is, it's not stabilizing. It's destabilizing.

AMY GOODMAN: We have to leave it there. Rutgers University professor Toby Jones, arms expert Bill Hartung and Ali al-Ahmed, director of the Institute for Gulf Affairs, thanks for joining us.

Friday, January 01, 2016

The Politics of Fear


THE ABSURD TIMES


Illustration: Russia as it sees itself. No need to conjecture one about the U.S., although one hopes the woman would not be Sarah Palin. Notice that this evil empire takes the cowardly way out to say "season's greetings," thus furthering the War on Christmas.

The Politics of Fear
by
Czar Donic

I have spent many hours in the Church of our Father of Higher Misery and Infinite Despair contemplating the best way to start the new year and this is the result.



Warning: Unless you have some idea of what this publication is all about or at least some acute awareness of absurdity, you had best stop reading now.





Perhaps the most worthwhile statement of the Obama era came just before the oath of office and was uttered by Michelle Obama: "It is time to end the politics of fear." Well, that still holds today. It is time to review the politics of fear and how they operate on our population.



It is in the interest of those in power to keep the vast majority of people in a state of fear about one thing or another, just so long as it is not focused on them. For example, by the end of the Bush II administration, the entire country was in a state of collapse. One practice was the unfettered rampage of anti-social capitalism. People would build a cheap house, value it at half a million dollars, and then mortgage it out to people who could in no way afford such a price. It was done by the variable interest rate and low down payments. Soon, the interest rate would increase, the people were thrown out on their asses, but the mortgage was sold to another bank at its face value. Actually, several would be lumped together. Their face value would increase and then be passed on again. Eventually, this collapsed, banks were "too big to fail," and were thus bailed out by the people who actually pay taxes. This was an event worthy of fear, but the populace was occupied with fearing other things. We will examine some of them here to start off the new year on a happy note.



One of the most evil group of people are smokers. They must be stamped out with dispatch. Don't even let them in your stores, houses, or neighborhoods. If you have to, be sure to demand they not indulge in this vile, disgusting, and dangerous practice. It is especially dangerous in you do not smoke. Of course, Obama started out with a lot of good ideas, but he spent so much energy NOT smoking that he eliminated the public option from healthcare and thurned the whole thing into a profit for insurance companies. 25% of you policy goes to them in overhead, while the total in Medicare is 3%. Imagine if the entire country had free healthcare. It would be SOCIALISM!!! EVIL, EVIL, BAD, NAUGHTY! No, we must have freedom!



Watch out for black people. They are after your money. That's why we have cops sent out to kill as many of them as possible. It is for your safety. Don't worry about how much money is spent of weapons to attack other countries when there are so many black people around. Why, they are even trying to invade Hungary! They are everywhere. Why we only have one brilliant black man in the country who is trying to save us from evil and he is on the Supreme Court. That's right, the brilliant genius Clarence Thomas who is so perceptive he can even see pubic hair invading cans of Pepsi. But one black man can not stem the tide of takeover. No, if we want our Pepsi free of pubic hair, we can not rely on Clarence Thomas alone.



Islam is after you and your women. That's right. Take steps now like people in Kentucky making Sharia law illegal. Forget that Constitution, just save us from the evils of Sharia! If you don't think that Islam is as an evil fore to be reckoned with, but look at Paul Ryan, Speaker of the House and therefore third in line for the Presidency. He is wearing a beard. The next thing you know, he will be beheading people. Maybe he already has. Who knows?



We are being invaded right now by immigrants! Look out! They want to poison your kids with illegal drugs and rape your women. Sure, Obama deported a record number, but we can't give him any credit. He's black and does that just to look good. Now we have to admit that immigrants will do some jobs that Americans find top dirty and demeaning. Two out of three of Donald Tramp's wives are immigrants, for example. Forget about Marla Maples. She was an evil seductress who caused Donald much pain and broke up one of his marriages on her way to a lucrative career holding up round umber cards and professional boxing or martial arts contests [Who cares which?]. We just have to stop this sort of thing.



These environmentalists are also evil and working against the greater good for private profit. Why, if it were not for the efforts of the oil companies producing carbon dioxide and methane into the air (cows farts just can't do the whole thing alone), there would still be a drought along the Mississippi River down below St. Louis. As it is, the whole are is basking in the glory of more and more water, along with human waste which will eventually become a valuable fertilizer. Anyway, we know that Earth will eventually be unable to sustain any sort of life. The sun will expand, explode, consume most of the solar system and then contract into a dense object. Your bodies will be sucked in as well. Dead or alive, you are doomed.



You may not realize this, but there are baby killers out there as well. No wonder some noble self-sacrificing individuals attack such killing factories to save future babies. Once they are born and about 3 months old, then it is time for then to go out and get a job. They can't expect us to be supporting them and giving them a free ride.



Have a good year!









Saturday, December 26, 2015

BEFORE ISLAMOPHOBIA THERE WAS THE RED SCARE ~~ THE HIDDEN STORY


-


@honestcharlie posted: "This seems particularly relevant today. Not only does it related to our modern day McCarthyism (Trump), but it also let's us know why both the Kennedy brothers were deemed "disposable". It may seem a stretch, but things did seem to go downhill f"
Respond to this post by replying above this line

New post on THE ABSURD TIMES -- STILL

New post BEFORE ISLAMOPHOBIA THERE WAS THE RED SCARE ~~ THE HIDDEN STORY

by @honestcharlie
This seems particularly relevant today. Not only does it related to our modern day McCarthyism (Trump), but it also let's us know why both the Kennedy brothers were deemed "disposable". It may seem a stretch, but things did seem to go downhill fast after they were eliminated.
desertpeace posted: "As the Red Scare spread, about 300 workers in the entertainment industry were blacklisted.
'Trumbo' and the Hidden Story of the Red Scare James DiEugenio The post-World War II years could have shaped America into a very different country by building "
Respond to this post by replying above this line

New post on Desertpeace

BEFORE ISLAMOPHOBIA THERE WAS THE RED SCARE ~~ THE HIDDEN STORY

As the Red Scare spread, about 300 workers in the entertainment industry were blacklisted.
redscare-H
'Trumbo' and the Hidden Story of the Red Scare
The post-World War II years could have shaped America into a very different country by building on the foundations the New Deal and moving more along the lines of European allies with publicly financed health care and other social protections.
Instead, reactionary forces that never made peace with President Franklin Roosevelt's Depression-era reforms generated a new Red Scare, wildly exaggerating the threat from a small number of mild-mannered communists and leftists in Hollywood to steer the nation in a right-wing direction favored by big business.
A new movie, Trumbo, recounts one early chapter in that saga, the persecution of screenwriter Dalton Trumbo and other leftists in the movie industry who became known as the Hollywood Ten, subjected to jail and "blacklisting" for their political views.
The film tells Trumbo's personal story as a victim of ambitious congressmen, a zealous columnist and intimidated movie executives, but also how this talented screenwriter ultimately prevailed with the help of actor Kirk Douglas and a few other Hollywood luminaries who appreciated Trumbo's skills and saw the blacklisting as a hysterical witch hunt.
But what the movie fails to explain is how the scars from the Red Scare permanently changed America, making it a place of fearful conformity with a relatively narrow band of acceptable political thought. The era killed off a vibrant Left that could have challenged the Right's hostility to government social programs fulfilling the constitutional mandate to "provide for the … general Welfare."
Yet, as a tale of one man's struggle against a fearsome combination of government pressure and industry complicity to control his freedom of thought, Trumbo is a worthy – and even rare – historical drama.
An Exceptional Talent
Dalton Trumbo was one of the most colorful, fascinating and prolific writers that the Hollywood film colony ever produced. Trumbo wrote, or co-wrote, well over 50 produced screenplays. In addition, he wrote numerous plays, novels and non-fiction books. Some of his most famous scripts were A Bill of Divorcement, A Guy Named Joe and Kitty Foyle.
Unfortunately for Trumbo, he was never allowed to walk up on stage to receive an Academy Award. Not because he did not win any. He actually won two: one for The Brave One and one for Roman Holiday. But at the time he won those Oscars — in the 1950s — he was on what became known as the Hollywood blacklist.
This was an unofficial assemblage of the names of persons working in the motion picture industry who were not allowed to be employed by any of the major studios or television networks. Therefore, when Trumbo won those two awards, his Oscars were given to people who either did not actually exist or who worked as a "front" for Trumbo.
A "front" was someone who had an acceptable name to the studios and who was deemed employable. This person did either little or no work on the completed script, but was allowed a percentage of the fees accrued for the screenplay. Trumbo was finally given his Oscar for The Brave One in 1975, the year before he died. It was not until 2011 that his name was restored to prints of Roman Holiday.
Trumbo was born in Colorado in 1905. He began writing in high school for his local newspaper. When he attended college at the University of Colorado, he worked as a reporter for the Boulder Daily Camera. After working for a number of years at a bakery and after years of having his stories and novels rejected, he finally began to have some success when his essays were accepted in some major magazines. He then became a script reader for Warner Brothers.
From about 1937 to 1947, Dalton Trumbo was one of the highest-paid writers in Hollywood. Some sources state that he was the highest paid writer in the film colony. Trumbo had two qualities that producers craved: he was versatile and he was fast. He could write in a variety of film genres, from comedy to fantasy to personal drama to the epic structure. And since he was a workaholic, he could produce completed screenplays and rewrites at a rate that was exceptional.
Actor Kirk Douglas was astonished at how fast Trumbo wrote the script for Spartacus. In Douglas's book, I am Spartacus, the actor said Trumbo worked at least twice as fast as any writer with whom he worked. Those qualities, plus a gift for finding a story arc and creating credible characters and dialogue, helped Trumbo ascend to the highest peak of Hollywood success before the age of 40.
Hunting 'Subversives'
Trumbo's career all but collapsed when he ran headlong into the House Un-American Activities Committee (HUAC). This infamous committee first became prominent under Texas Congressman Martin Dies in 1938 when it was initially supposed to investigate Nazi espionage in America. But since it was largely composed of Republicans and conservative Democrats (like Dies), it quickly turned to inquiring into one of Franklin Roosevelt's New Deal programs, the Federal Theater Project. (Robert F. Vaughn, Only Victims, p. 36)
The Federal Theater Project was a part of the Works Progress Administration, which became the largest single employment program of the New Deal. The Federal Theater Project was meant to employ out-of-work actors, directors and stage managers in federally funded stage productions; both in New York and several regional outlets.
It was a smashing success in that it produced nearly 1,000 plays in four years. These were seen by hundreds of thousands of spectators. Some of the plays were directed by Orson Welles and have become legendary in stage history, e.g., The Cradle Will Rock.
HUAC did not like the spectacular success of this program. Dies once said that the WPA was the greatest boon the communists ever had in the United States. (ibid) Dies called several people to testify about supposed communist influences in certain productions. The committee was so unsophisticated in its understanding that it criticized the director of the project for going to Russia to see new experimental plays by theater innovators like Konstantin Stanislavsky. (ibid, p. 61)
Congressman Joe Starnes famously asked project director Hallie Flanigan if playwright Christopher Marlowe was a communist, though Marlowe had died in 1593. Yet, these clownish blunderings became popular with newspapers and magazines. And, at first, HUAC gained a large amount of public support. Dies unsuccessfully called for the resignation of New Deal officers such as Harry Hopkins and Harold Ickes. (ibid, p. 70). But Dies did kill the Federal Theater Project.
After World War II, HUAC became a standing committee and – under new chairman Parnell Thomas – the panel decided to hold hearings into the Hollywood film industry. The committee investigators, led by Harry Stripling, assembled dossiers which were largely created from information delivered by FBI Director J. Edgar Hoover. HUAC then held open hearings, calling a series of prominent players in the entertainment field.
Contempt of Congress
The first panel consisted of "friendly witnesses" who essentially agreed with the committee's judgments and aims – that Hollywood was filled with communist agents who were assembling works of propaganda in order to weaken the foundations of American life. Then, HUAC called "unfriendly witnesses" who did not agree with these judgments, refused to cooperate with the committee and were then indicted for contempt of Congress.
The "friendly witnesses" included three heads of major studios: Jack Warner, Louis B. Mayer and Walt Disney, all extremely powerful, wealthy and politically connected. Warner volunteered the names of suspected communists, e.g. writers Alvah Bessie, Howard Koch and Ring Lardner Jr. (Vaughn, p. 81)
Disney testified that a strike his studio endured a year before was caused by communist infiltration of trade unions, and he named union leader Herbert K. Sorrell as a communist agent. Disney also named an animator at his studio, David Hilberman, as a communist. (ibid, p. 85)
Mayer testified that HUAC should write legislation that would regulate the employment of communists in private industry.
With Republicans in control of the committee, it enlisted novelist Ayn Rand as a witness who watched the film Song of Russia and evaluated whether or not it was propaganda. Rand declared that since the film did not depict normal life in Russia as a gulag, it was propaganda.
As author Victor Navasky has written, the parading of these friendly witnesses was little more than the scaffolding for a sideshow. Famous actors such as Robert Taylor, Adolphe Menjou, Robert Montgomery, Gary Cooper and Ronald Reagan joined the studio executives. (Reagan continued defending HUAC into the 1970s even after it was formally disbanded.)
There was a tactical aim in all of this. By presenting these witnesses first and urging them to deliver speeches and name suspected subversives, the 10 "unfriendly witnesses" who followed were set up in the public eye as being antagonistic toward the earlier star-spangled cavalcade.
Trumbo was in this second group. He had been a member of the Communist Party from about 1943, an isolationist and anti-war, an attitude conveyed by his famous novel Johnny Got His Gun, published in 1939. In the rapidly ascending spiral of Cold War demagoguery, these qualities made him a perfect target of HUAC and one of its ambitious young members, Richard Nixon.
Pleading the First
Trumbo and his group of fellow writers – Albert Maltz, Ring Lardner Jr., Lester Cole, Alvah Bessie, Herbert Biberman, John H. Lawson, Sam Ornitz, Adrian Scott and Edward Dmytryk (who was a writer-director) – decided to do battle with HUAC. They knew that the question the committee would ask was, if they were now or had ever been a member of the Communist Party, which would not be officially outlawed until 1954.
But the witnesses knew that if they admitted this, the next question would be: Who else do you know who is or was a member? Or the committee would ask, did you attend any meetings, and if so who did you see there?
Since they had already seen what men like Mayer, Warner and Disney did in getting rid of suspected leftists, the witnesses knew that not only would their careers be endangered but anyone else they named would be put at risk.
Therefore, Trumbo and other witnesses decided not to plead the Fifth Amendment against self-incrimination but instead refused to directly answer the committee's questions, citing their First Amendment rights of choice and privacy. For their stance, Trumbo and nine other witnesses, who became known as the Hollywood Ten, were prosecuted for contempt of Congress.
Their main attorney, Bartley Crum advised them that the Supreme Court would not uphold such a conviction. But after Trumbo was convicted in the lower court, the Supreme Court refused to hear his case. Trumbo went to prison for about 11 months in Ashland, Kentucky.
Besides prison terms, the Hollywood Ten case led to a blacklist by movie executives who "deplored the action of the 10 Hollywood men who have been cited for contempt by the House of Representatives." All business ties and contracts with them were "suspended without compensation" and none would be re-employed until they were acquitted or purged themselves of contempt and declared under oath he is not a communist.
As the Red Scare spread, about 300 workers in the entertainment industry were blacklisted. Some, like actor Philip Loeb, were pushed to the edge. As Douglas notes in his book, Loeb could not care for his emotionally troubled son and committed suicide, a particularly painful experience for Douglas who knew Loeb when they were both up-and-coming actors in New York.
Eking Out a Living
When Trumbo emerged from prison, he first moved to Mexico for a couple of years. He tried to eke out a living writing scripts, but the man who once commanded $75,000 per screenplay could make only a fraction of that sum. So, he moved back to Los Angeles where he lived in a small house in Highland Park. For the next several years, he employed phony names and hired fronts to produce his scripts, even when he was dealing with small, independent production companies like the King Brothers.
Even though Trumbo was making much less money and working much harder and longer, he could not claim credit for his work. As Jay Roach's Trumbo shows, this put a tremendous strain on Trumbo's home life.
Beyond the movie executives, other powerful Hollywood figures piled on the Hollywood Ten and went after their support group, the Committee for the First Amendment. Actor John Wayne and gossip columnist Hedda Hopper formed the Motion Picture Alliance for the Preservations of American Ideals.
When a performer or writer wanted to recant and purge himself, he got in contact with this group. As Reagan said in an interview for the film Hollywood on Trial, they would tell this person that the Alliance really could not help you unless you decided to help yourself. Once the person did so, he would get permission from studio executives to work again.
Roach's film shows actor Edward G. Robinson, who had supported Trumbo with monetary contributions and didn't work for a year, going through this penance under the approving eye of Wayne.
Some Hollywood Ten defendants, like director Edward Dmytryk, could not handle the pressures and made arrangements with the powers that be to recant and name names. As result, actress Lee Grant was added to the blacklist while the rehabilitated Dmytryk went on to direct films, including The Caine Mutiny, shot in 1954 at the high tide of the blacklist.
As the film shows, however, there were some brave souls who finally cracked the blacklist.
When Kirk Douglas came to Hollywood in 1945, he was hired to work on a film called The Strange Love of Martha Ivers. There was a strike going on, the one which Disney referred to in his testimony before HUAC. The striking union, largely representing set dressers, had asked the Screen Actor's Guild to honor their picket line.
Under the influence of Guild leaders — such as George Murphy, Ronald Reagan and George Montgomery — SAG refused to do so. But the writer and the director of Douglas's film, respectively Robert Rossen and Lewis Milestone, did support the strikers. They would not cross the picket line. Fearing a lockout, producer Hal Wallis had the actor sleep in his dressing room.
As Douglas related in his book, two years later, both Milestone and Rossen were called before HUAC. Milestone escaped to France. Rossen admitted membership in the Communist Party. Both men were blacklisted.
Another Douglas friend and colleague, Carl Foreman, producer of the film High Noon, was called to testify but fled to England. Foreman was targeted because some took High Noon as an allegory for what HUAC was doing to America.
A Disgusted Douglas
All this shocked Douglas, who knew that none of these men posed any threat to the security of the United States. He realized how absurd the practices of the HUAC actually were.
For instance, the committee called baseball player Jackie Robinson to testify against actor Paul Robeson, but Robinson could offer little or no information about the actor. Douglas concluded that the only reason Robinson was called was because, like Robeson, he was a famous African-American.
Douglas was also distressed by the fact that six of the Hollywood Ten were Jewish as was he and as were many of the executives who capitulated so completely before HUAC. Douglas could not understand why people of the Jewish faith, who fully understood the price and pain of being persecuted, would go along with the HUAC circus, led by a clown like Thomas.
As Douglas wrote and as the film shows, much of this stemmed from fear. Men such as Warner, Mayer and Harry Cohn were "terrified their great power would be taken away from them if their loyalty to America was called into question."
Roach's film shows a scene with columnist Hedda Hopper going into Mayer's office, calling him a kike, and threatening to vilify him in her columns unless he cooperated with the committee.
But Douglas rejected such pressure, agreeing with actor Fredric March who said: "They're after more than Hollywood. This reaches into every American city and town."
Ironically, HUAC's aggressive witch hunt against leftists in Hollywood contributed, indirectly, to the undoing of Trumbo's isolation. In 1950, author Howard Fast was called before HUAC and grilled about his colleagues in a group opposing Spain's fascist dictator Francisco Franco. When Fast refused to answer, he also was imprisoned.
In prison, Fast used the library to research the life of Spartacus, a slave who turned gladiator and finally became a rebel leader against Imperial Rome. After getting released from prison, Fast wrote a historical novel about the man who almost undid the Roman Empire.
But Fast's life was not the same as it had been before. He was banned from speaking on college campuses. He was under surveillance by the FBI. And he was denied a passport, which deprived him of his right to do research on Spartacus in Europe.
When Fast finished his book, he tried to sell it to his old publisher, Little, Brown and Company, but was turned down after the FBI visited the publisher. Six other publishing houses also turned it down. With no other alternative, Fast published it himself. In four months, it sold 48,000 copies with Fast and his wife shipping out copies from their basement.
Finding Spartacus
By the 1950s, Kirk Douglas had built a very successful career as an actor. He also despised the fact that MGM made him sign a loyalty oath to play painter Vincent Van Gogh in Lust for Life. So, Douglas created his own production company with partner Ed Lewis, who dropped off a copy of Fast's Spartacus on Douglas's desk.
Douglas loved the book and decided to produce the film (and star in it). Fast insisted on writing the first draft of the script but it was quite poor, prompting Douglas to enlist Trumbo to do the re-write. But Douglas told Universal Studio chiefs Ed Muhl and Lew Wasserman that Lewis was writing the script.
About halfway through the film's production, Trumbo stopped working, complaining that he had written about 250,000 words on the project so far and did not want to do that much work if his name was not on the film.
Douglas drove to Trumbo's house and told him that when the film was finished, he would insist that Trumbo get screen credit, which is what Douglas wanted to do all along. Douglas invited Trumbo to a meeting at the Universal commissary with himself and director Stanley Kubrick, something Trumbo had not done for almost 13 years.
After columnist Hedda Hopper exposed the fact that Trumbo was secretly writing Spartacus, producer-director Otto Preminger approached Trumbo to write a movie from the Leon Uris book Exodus. Preminger announced this in the movie trade papers, joining Douglas in helping Trumbo crack the blacklist.
After Douglas and Preminger made their announcements, singer/actor Frank Sinatra also decided to employ a blacklisted writer, Albert Maltz, except Sinatra wanted to make this into a big event. But Trumbo advised Douglas to tell Sinatra to drop his crusade, since it would probably hurt Sen. John Kennedy in his presidential race against former HUAC member Richard Nixon. Joseph Kennedy, the candidate's father, also advised Sinatra not to go that route.
A President Weighs In
But after Kennedy got elected in 1960, he and longtime friend, Paul Fay, attended a public screening of Spartacus. The American Legion was picketing and Kennedy could have asked for a private screening of the film. Wasserman and Muhl would have been glad to oblige.
But on the advice of his brother, Attorney General Robert Kennedy, the President made the deliberate public appearance.
Roach closes the film with a nice strophe. Hopper is in her living room watching television when a segment depicting Kennedy's attendance at the film comes on the screen. The camera rotates around her face slowly, as she begins to realize that her reign of terror is now ending.
The scene dissolves to black. Out of the darkness, we see Trumbo in the wings about to go on stage in 1970 to collect his Laurel Award, the annual distinguished career award given out by the Writers' Guild of America. Eloquently, Trumbo addresses the issue of the whole blacklist period and the film closes.
Director Jay Roach began his career in comedy, directing Michael Myers in the Austin Powers films. He also directed the Robert DeNiro comedy Meet the Parents before going to the small screen to direct works closer to his heart. For HBO, he directed the political dramas Recount about the Republican heist of the 2000 presidential election in Florida, and Game Change about Sen. John McCain's decision to pick Alaska Gov. Sarah Palin as his vice presidential running mate in 2008.
Roach has now made Trumbo, a political drama for the large screen. Overall, he does fairly well. Dalton Trumbo did several interviews that were captured on film and can be seen by almost anyone. Actor Bryan Cranston has obviously watched them at length as he does a nice job portraying Trumbo's feisty character.
The English actress Helen Mirren plays Hedda Hopper. From the first time I saw Mirren in The Long Good Friday, I was struck by her intelligence, subtlety and technical proficiency. She furthers that tradition here with a nicely understated performance. In an easy part, John Goodman is strong and vivid as low-budget producer John King.
Roach likes to begin a scene low key and then build it to a powerful explosion or aria. For example, he does this with Goodman wielding a baseball bat at a representative of the producers' alliance sent to intimidate him from employing blacklisted writers.
The one disappointment in the cast is Diane Lane as Trumbo's wife Cleo. Either she could not find the center of her character, or Roach could not help her. It's a completely blasé performance in a major role.
A Bigger Picture
In my opinion, some of the film's shortcomings originate in the script by John McNamara. The film tries to make the opening of Spartacus into a crowning historical moment, which is not true. Because of the power of Douglas, Wasserman and Muhl, this achievement ended the blacklist for Trumbo but not for many others who did not have that kind of torque behind them. For them, it lingered on into the mid-1960s.
Another problem with the script is that it misses the core motivation for HUAC and the careers of some of its members, like Dies, Thomas and Nixon. For political reasons, they bitterly resented the scope and the goals of Roosevelt's New Deal. They did not want government to be the solution to the Great Depression. So, they decided to poison the New Deal's legacy with the taint of communism.
To a degree, they were successful. HUAC managed to drastically limit the American political spectrum by attacking, smearing, prosecuting and demonizing any political orientation left of the Democratic Party.
HUAC, Joe McCarthy and the Red Scare tilted the politics of the country decidedly to the right, meaning that – unlike many European industrialized countries – there is no serious left-leaning American political party.
Though HUAC Chairman Thomas went to prison on fraud charges, Sen. Joe McCarthy took up the anti-communist cause, expanding the Red Scare into the U.S. government and other aspects of American life. As with HUAC, FBI Director Hoover supplied information to McCarthy.
When Robert Kennedy became Attorney General, he looked at the information that Hoover had. There were maybe 50,000 members of the Communist Party in the United States and many of them were FBI informants. In other words, there was no real communist threat to fear. It was more a creation of men like Hoover who recognized that an exaggerated fear of communism was an effective weapon for gaining political advantage and personal power.
It was this subterranean agenda that the American public was never made to understand. Therefore the consequences went unabated.
Even today, prominent right-wingers decry government programs to create jobs or alleviate suffering – including President Barack Obama's private-insurance-based health care program – as "socialism" or "communism."
The value of scaring the American people has not been lost. Today, we live with another excessive threat, the War on Terror, which has led to the Patriot Act, torture, drone strikes and racial profiling.
The ability of Americans to resist these current excesses is crippled by the failure of politicians, the courts and the media to stop the Red Scare that started in Hollywood in 1947.
Trumbo is a decent enough picture. And Roach should be praised for his good intentions in filming it. There are few directors and producers making politically relevant films in America today.
But in my opinion, this subject would have been better served if Roach had made a mini-series on the subject. That would have given him the opportunity to depict a much wider American canvas and a much larger subject.
Dalton Trumbo was part of an epic struggle. In the end, he personally won, but the country lost.
*
See the following from What Really Happened
(Click on link)
desertpeace | December 26, 2015 at 18:08 | Categories: Cold War, Corrupt Politics, History | URL: http://wp.me/pahWK-c1z
Comment See all comments Like
Unsubscribe to no longer receive posts from Desertpeace.
Change your email settings at Manage Subscriptions.
Thanks for flying with WordPress.com
@honestcharlie | December 26, 2015 at 12:47 pm | Categories: Uncategorized | URL: http://wp.me/pt2r1-SL
Comment    See all comments    Like
Unsubscribe to no longer receive posts from THE ABSURD TIMES -- STILL.
Change your email settings at Manage Subscriptions.
Thanks for flying with WordPress.com